project 45; Picture count.

I have found the following photos in history that use side lighting;

The open door by William Henry Fox Talbot on Page 21.

Baskets By Doris Ulmann, the frontpiece.

Ghizch by Francis Bedford page 37.

Greene County, Georgia by Jack Delano on Page 157.

A Public meeting in Estremadura By David Seymour on page189.

Misicians platform by Kurt Benning P 233.

Back lit;

El Umbral by Manuel Alvarez on Page 220.

Académie by Robert Demachy on P. 93

Frontal

Rome 1968 by Harry Callahan.

Weigh in room entrance by Laurence cutting on P231.

Schillerslage by Heinrich Riebesehl on P235.

The Bicycle by Paul Strand on page155.

Miss Thompson by Clarence White and Alfred Stieglitz on P. 89.

Edge Lighting

Recruiting Sergeants at Westminster by John Thompson on Page 63.

Project 43; Through the day.

06.22 AM.

07.22 AM.

10.30 AM.

11.43 AM.

14.40.

The colour change is very noticeable. Blue and cool early in the morning and getting whiter as the day progresses. The shots around midday are very white. I was amazed early in the morning, at how quickly the shadows change, there was a noticeable difference over a few minutes. Also I like the how useful the shadows were at hiding details that I would consider unattractive. I can see how this would be a useful device in composition.

Project 41; Your eyes sensitivity to colour.

The photographs from projects 32 and 33 arranged in order of the eyes sensitivity to colour.